한중 고전소설에 나타난 여성인물의 사랑 구현 양상 연구 : -<금병매>, <구운몽>, <홍루몽>을 중심으로-
A study on Eros Implementation Patterns of Female Characters in Chinese-Korean Novels - centered on <Geumbyeongmae>, <Guunmong>, <Honglumong>
초록/요약
<국문초록> 본고는 <금병매(金甁梅)>, <구운몽(九雲夢)>, <홍루몽(紅樓夢)>을 대상으로 한중 고전소설에 나타난 여성인물의 사랑 구현 양상을 상호텍스트성의 시각에서 고찰하 였다. Ⅱ장에서는 <금병매>, <구운몽>, <홍루몽>에 나타난 여성인물의 사랑 구현 양상 을 분석했다. 구체적으로 제1항에서 <금병매>에 나타난 육신적 사랑의 비극적 양 상을 논의하였고, 제2항에서 <구운몽>에 나타난 육신적 사랑의 고양 양상을 고찰 하였고, 제3항에서 <홍루몽>에 나타난 정신적 사랑의 비극과 비극 극복의 양상을 분석하였다. 이를 바탕으로 그 사랑이 어떤 성향을 띠면서 전개되는지에 초점을 맞 추어 <금병매>는 사랑이 양분된 상태에서 육신적 사랑을 위주로 구현했다면, <구 운몽>은 육신적 사랑이 세 단계를 거쳐 정신적 사랑으로 고양되는 양상을 보이며, <홍루몽>은 사랑이 양분된 상태에서 처음에는 육신적 사랑과 정신적 사랑으로 나 뉘어 펼쳐지다가, 그중에 육신적 사랑이 정신적 사랑으로 고양되는 지점을 펼쳐내 는 것으로 보인다. Ⅲ장에서는 제Ⅱ장에서 분석한 작품들의 사랑 구현 양상을 토대로 하여 불교사 상의 시각에서 작품들의 사랑에 관한 상호텍스트성에 대한 논의를 진행하였다. 구 체적으로 작품들의 사랑에 관한 불교적 인과론과 초월지향 두 가지 측면에서 논의 하였다. 불교의 인과론의 경우, <금병매>에서는 인과응보가 부각되며, <구운몽>에 서는 연기성공이 부각되고, <홍루몽>에서는 개오파집이 부각되는 차별성을 보인다 는 점을 제시하였다. 2항에서는 세 작품의 여성 사랑의 특징과 불교적 초월지향의 연계성을 포착하여 <금병매>와 <구운몽>의 색적 사랑으로부터의 초월, <금병매>와 <홍루몽>의 배타적 사랑에 대한 징계를 통해 초월, <구운몽>과 <홍루몽>의 낭만적 사랑으로부터의 초월을 살펴보았다. <금병매> 이후 <홍루몽>의 출현까지 그 사이에서 <공공환(空空幻)>, <임난향(林 蘭香)>이 출현했는데, 이러한 작품들이 모두 일부다처인 사회 제도 하에 여성들의 ‘욕망’이나 ‘애정’에 대한 추구 의식을 서로 다른 방식을 통해 담아내고 있는 작품 이다. 이들 작품에 구현된 여성인물의 사랑 양상은 본고에서 다루고자 하는 세 작품의 사랑 구현 양상에 관한 상호텍스트성 연구에 적지 않은 도움을 준다. 이에 Ⅳ장에서는 <공공환>과 <임난향>을 삽입하여 다섯 작품을 두 가지 축으로 나누어 여성 사랑의 소설사적인 상호텍스트 양상을 분석하였다. 편의상 ‘<금병매>, <공공환>, <구운몽>의 상호텍스트성’ 그리고 ‘<구운몽>, <임난향>, <홍루몽>의 상 호텍스트성’ 두 축을 통해 분석하였다. 한중 고전소설에 나타난 여성인물의 사랑에서 이러한 상호텍스트성을 지니는 점 을 통해 그들에 구현된 남녀의 사랑이 지니는 작품적 가치를 짚어볼 수 있다.
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<목 차>
I. 서론···················································································································1
1. 연구 목적··················································································································1
2. 연구사 검토··············································································································7
3. 연구 방법················································································································15
Ⅱ. 여성인물을 중심으로 본 사랑 구현 양상··············································26
1. 육신적 사랑의 비극적 양상 : <금병매(金甁梅)>·············································27
1.1. 육신적 사랑의 자멸·······················································································29
1.2. 삼각관계에 의한 육신적 사랑의 좌절·······················································36
1.3. 확대·심화된 육신적 사랑의 파국································································41
2. 육신적 사랑의 고양 양상 : <구운몽(九雲夢)>················································48
2.1. 육신적 사랑의 색적 지향·············································································48
2.2. 육신적 사랑의 낭만적 지향·········································································51
2.3. 육신적 사랑의 정신적 승화·········································································55
3. 정신적 사랑의 비극과 비극 극복의 양상 : <홍루몽(紅樓夢)>·····················62
3.1. 정신적 사랑의 좌절·······················································································63
3.2. 정신적 사랑과 육신적 사랑의 합일 실패··················································70
3.3. 육신적 사랑에서 정신적 사랑으로의 고양················································74
Ⅲ. 사랑에 관한 불교적 인과론과 초월지향의 상호텍스트성···················80
1. 여성인물의 사랑과 불교적 인과론·····································································80
1.1. 인과응보(因果應報): <금병매>····································································82
1.2. 연기성공(緣起性空): <구운몽>····································································87
1.3. 개오파집(開悟破執): <홍루몽>····································································91
2. 여성인물의 사랑과 불교적 초월지향·································································97
2.1. 색적 사랑으로부터의 초월 : <금병매>와 <구운몽>······························97
2.2. 배타적 사랑에 대한 징계를 통한 초월 : <금병매>와 <홍루몽>······101
2.3. 낭만적 사랑으로부터의 초월 : <구운몽>과 <홍루몽>························107
Ⅳ. 한중 소설에 구현된 여성인물의 사랑의 소설사적 의의 ·················110
1. <금병매>, <공공환>, <구운몽>의 상호텍스트성···········································111
2. <구운몽>, <임난향>, <홍루몽>의 상호텍스트성···········································118
Ⅴ. 결론 ··········································································································127
[부록 1] <공공환(空空幻)> 줄거리···································································130
[부록 2] <임난향(林蘭香)> 줄거리···································································134
참고문헌············································································································137
中文摘要···········································································································144
