한중 소설에 나타난 이주노동자의 현실인식
초록/요약
본 논문은 주제연구 방법을 통해 한국 작가 황석영의 <객지>와 중국 작가 荊永鳴의 <北京候鳥>을 대상으로 두 소설에 나타난 산업화 사회 도시 이주민의 현실인식 양상을 살펴보았다.
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<국문초록> ··························································································································· i
Ⅰ. 서론 ································································································································ 1
1. 연구 목적 ······················································································································ 1
2. 연구대상 및 연구 방법 ···························································································· 4
3. 연구사 검토 ················································································································· 6
Ⅱ. 이주 노동자의 발생과 현장의 갈등 ································································ 10
1. 산업화 시대의 도래와 이주 노동자 발생 ··························································· 11
2. 신업화된 도시 공간에서 소외되는 노동자 ························································· 18
3. 노동자에 대한 부당한 대우와 노동자의 간의 갈등 ········································· 24
Ⅲ. 이주 노동자의 현실 인식과 대응 양상 ·························································· 32
1. 차별에 대한 이주 노동자의 저항 ········································································· 32
2. 생존을 위한 이주 노동자의 분투 ········································································· 37
3. 이주 노동자의 인간 존엄성 고취 ········································································· 44
Ⅳ. <객지>와 <北京候鳥>의 문학사적 의의 ··················································· 51
1. 산업화의 모순적 현실에 대한 저항과 수용 ····················································· 51
2. 소외 극복을 통한 주체 회복의 가능성 ····························································· 54
Ⅴ. 결론 ······························································································································ 57
〈참고문헌> ························································································································ 60
<中文摘要> ······················································································································· 62
