지아장커 영화의 리얼리즘 미학에 관한 연구 : -고향 삼부곡 중심으로
A Study on Realism Aesthetics in Jia Zhangke's Films-Focused on Hometown Trilogy
초록/요약
The reason why Jia Zhangke takes the cake in the rising generation of the directors is close to his insistence in realism aesthetics. He always sticks to his own realism aesthetics by using the calm full-length shot to record the true life of the little ones. He silently sticks to his principles in the current trend that all commercial block-busters swarm, without advertising and press publicity. What he does is to express his feeling towards the society. Because of this, he becomes a great person in the Chinese Film Festival from an unimportant person. Jia Zhangke once said, " I do prefer the realism aesthetics. That is not to say our era only can be expressed in the form of the realism, or to say that our inner world can be expressed by realism. The realism ways, I always think, is the most proper for the film reality, through which the true beauty of the film can be got. The so-called beauty of the film is the beauty expressed by the film reality. Just like the process when you do painting, you should study the target; the most significant feature in the film is its realism." Bazin and Kracauer said so dozens of years ago. Specific to every director, they all need a selective process. To me, " I choose the ways of realism." The greatest characteristics in Jia Zhangke's films are its realism aesthetics. So far, the Hometown Trilogy is his most successful works, for the film gives a description on his hometown and his real experiences, although it is shot in his early filming period and is immature. Therefore, the Hometown Trilogy expresses the director's faithful feelings. The composing three films in Hometown Trilogy are full of realism aesthetics of Jia's style. As the two key words in the paper, Hometown Trilogy associate with each other technically. This paper sets examples of shooting languages to show the realism aesthetics from four aspects-the space, the figures, the sound and the shooting techniques in Hometown Trilogy. The paper is on an attempt to combine theory with practice.
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ABSTRACT
I. INTRODUCTION
A. The Necessity of the Study
B. The Study Status of Jia Zhangke's Films
C. The Contents and Scopes of the Study
II. JIA ZHANGKE AND HIS FILM WORLD
A. The Personal History of Jia Zhangke
B. The Film World of Jia Zhangke
III. THE REALISM AESTHETICS IN JIA ZHANGKE'S FILMS
A. The Concept and the Features of the Realism Aesthetics in the Films
B. The Features of the Realism Aesthetics in Jia Zhangke's Films
C. The Reasons for the Realism Aesthetics in Jia Zhangke's Films
IV. THE REALISM AESTHETICS ANALYSIS ON THE STORY LEVEL IN JIA ZHANGKE'S FILMS
A. The Presentation of the Space in Hometown Trilogy
1.The Theory on "Film Space"
2.The Presentation Forms of the Space in Jia Zhnagke's Films
3.The Life Experiences in the Space
B. The Description of "People" in Jia Zhangke's County Memory
1.The Charming Features of the People in the Unique Cultural Settings of the County
2.The Description on the Little Ones-from the Perspective of a "Common People"
V. THE REALISM AESTHETICS ANALYSIS ON THE LEVEL OF FORM AND STYLE IN JIA ZHANGKE'S FILMS
A. The Presentation of Sound Factors in Jia Zhangke's
1.The Study Meaning of the Sounds in the Film
2.The Use of the Sounds in Hometown Trilogy
B. The Realism Aesthetics in the Shot Language in Jia Zhangke's Films
1.The Shot Characters of the Realism Film
2.The Flexible Uses of the Realism Shooting
VI. CONCLUSION
BIBLIOGRAPHY
